Graphic Design 24, 1966

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Content includes:
Stones of Katsura Imperial Villa Yasuhiro Ishimoto Photograph Collection / Noboru Kawazoe
Kyo Karakami / Hisao Yasune
Design Policy of Herman Miller / Yusaku Kamekura
Five Polish Poster Artists / Masayoshi Iwabuchi
Printing Laboratory ㉒ / Toshihiro Katayama, Shinko Art
Dr. Yenney’s / Masaru Katsumi
Graphic Design for Sogetsu Art Center / Yusuke Nakahara
Japanese paperbacks / Yujobo Senmei
Shinjiro Okamoto’s New Work / Taro Okamoto, Shinjiro Okamoto
Odamat Works / Masaru Katsumi

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 24, 1966. Cover design by Iwao Hosoya
Graphic Design 24, 1966. Cover design by Iwao Hosoya
Japanese magazine, Graphic Design 24, 1966. With cover design by Iwao Hosoya.
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Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.