Graphic Design 35, 1969

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Content includes:
Japanese pattern, Fugetsu by Kiyoshi Awazu
20th Century Master Series 2 Masaru Katsumi, Abram Games
Crosby | Fletcher | Forbes by Kazumasa Nagai
The whole picture of Gerard Ifer Masaru Katsumi, a typical Swiss school

Caricatureist Makoto Wada by Jinichi Uekusa
Masayoshi Nakajo’s recent work by Toshi Ejima
Tokyo Art Directors Club Award Winning Work ’69 by Masataka Ogawa
Technological development of Techne Map Research Institute

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 35, 1969. Cover design by Makoto Wada
Graphic Design 35, 1969. Cover design by Makoto Wada
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.