Graphic Design 53, 1973

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Content includes:
Li Dynasty Folk Paintings / Li Ufan
Design Year Movement / Tsuyoshi Michiyoshi
Metabolizing corporate symbol / Akio Kanda
Philips Design Manual / Kenji Ekuan
Editor of the Polish magazine T.A.Y.A./Szymon Boyko
Chapman’s Merchant Ship Blueprint Collection / Tadashi Koriyama
The world of Osamu Furumura: the created landscape / Kazumasa Nagai
Yu Shinoda’s / Shigeo Fukuda
1st Asian Regional Typography Expert Conference / Keinosuke Sato
Mohases’ microcosm

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Linked Information

 Graphic Design 53, 1973. Cover design by Yuito Nadamoto
Graphic Design 53, 1973. Cover design by Yuito Nadamoto
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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From the design archive:
From the design archive:
From the design archive:
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Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.