Graphic Design 54, 1974

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Content includes:
Higa and Sophistication: Legacy of Laughter Ikuyuki Kato
Spokane Environmental Expo Richard S. Thornton
From Makoto Wada’s Taro Okamoto
Seikaede Tsuda’s cover design Hiroshi Hara
The newness of Hiroshi Awatsuji Ikko Tanaka
15 Signs of Sandburg Masaru Katsumi
American cover design Hiroshi Hara
Information display panel design Kyohei Tsuboi
Halberin’s recent works

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Graphic Design 54, 1974
Graphic Design 54, 1974
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.