Graphic Design 72, 1979

Information

Content includes:
Kyogen costumes / Kirihata Ken
Iranian posters: The evolution of Iranian posters / Morteza Momayez
Spanish War and revolution posters 1936-1939 / Ili Lapek
World newcomer prospects ’70 Europe
Tamada Yoshimitsu’s hanger sculptures / Nagai Kazumasa
Ecograda International Conference Chicago ’78 report
Retrospective of 15 years of Ecograda / Willi de Marjo
Roundtable discussion: Participating in the Ecograda International Conference Chicago / Katsumi Masaru + Tanaka Masaaki + Tadashi Fukano + Toshiko Kato
Construction of Sound Toru Endo / Yusaku Kamekura
The Rhetoric of Yutaka Sasaki / Kenji Aiko
8th Brno Graphic Design Biennale / Jan Reilly
7th Warsaw International Poster Biennale / Shigeo Fukuda
VC: Holography of the World / Nagami Sakano

Details

Linked Information

Graphic Design 72, 1979
Graphic Design 72, 1979. Cover design by Takahisa Kamijō,
Issue 72 of the Japanese magazine Graphic Design (グラフィックデザイン) published in 1979.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.

Members Content

Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

Members Content

Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

Members Content

After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.