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Graphic Design History from Design Reviewed

Graphische Nachrichten, Vol 15, March 1936

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  • Format: Magazine
  • Year: 1936
  • Size: 230mm x 320mm

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Graphische Nachrichten, Vol 15, March 1936
Graphische Nachrichten, Vol 15, March 1936
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Industrial Art News - Vol. 23, No. 8, August 1955. Cover design by Kō Yanome
From the design archive:

Industrial Art News – Vol. 23, No. 8, August 1955

  • Format: Magazine
  • Designer/s: Kō Yanome
  • Year: 1955
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Art and Industry 346, April 1955
From the design archive:

Art and Industry 346, April 1955

  • Format: Magazine
  • Year: 1955
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Der Druckspiegel, 11, November 1964. Designed by Kurt Weidemann
From the design archive:

Der Druckspiegel, 11, November 1964

  • Format: Magazine
  • Designer/s: Kurt Weidemann
  • Year: 1964
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Emblems of Association Members, German Stamp, 1980. Designed by Karl Oskar Blase
From the design archive:

Emblems of Association Members, German Stamp, 1980

  • Format: Stamps
  • Designer/s: Karl Oskar Blase
  • Year: 1980
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Cubansk Filmuge 1982 Artist: Reboiro, 1982 50,5x76 cm
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The Danish Film Institute’s collection of Cuban Film Posters

The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
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The Design and Photography of Hans Jürgen Rau by Hans Kuh, 1962

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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IBM, Traffic Planning Service Brochure designed by Banks & Miles. Scanned from Banks & Miles, Agency Portfolio Book, 1970s
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Banks & Miles. Designing Public Information

Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.