Idea 212, 1989-1

Information

Cover Design: Domenic Geissbühler
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
AGI ’88 TOKYO by Masuteru Aoba
Illustrators 30th Annual Exhibition by Shin’ichiro Tora
Taylor & Browning Design Associates
American Typography in New York by Shin’ichiro Tora
Works of Kaoru Kasai by Shohei Shinada
Georges Mailler / Calendar for RHÔNE-POULENC Group by Gerard Mugler, Carol d’Hardivillé
Minale, Tattersfield & Partners Limited by Hiroshi Ohnishi
The Dimentional Illustrations by Kathy Jeffers, Nick Aristovulos, Raymond Ameijide, Margaret Cusack, Walter Einsel, Judith Jampel, Ellen Rixford
The Trick by Shigeru Fukuda
Peter Hendrie, Photographer
Tokyo ADC Prize Winning Works for 1988 by Susumu Sakane
QU4TRO Arquitetos by Claudio Ferlauto
JPDA’s Japanese Package Design Exhibition in New York by Shin’ichiro Tora, Takeo Yao
Series 10: Art in New York Today, Bridge to Heaven by Cristos Gianakos by Shoichiro Higuchi
Art Camp, Hakushu Natsu Festival Text:Kazue Kobata, Photo: Yoshio Takase
Morteza Momayez Interviewer: Firouzeh Saberi
The Best of International Design in China by Shin’ichiro Tora, Tang Hong
Andrzej Kot, The King ‘Cat’ of Graphics by Paul Peter Piech
Computer-aided Portrait by Nancy Burson by Shoichiro Higuchi

Details

Linked Information

Idea 212, 1989-1. Cover design by Domenic Geissbühler
Idea 212, 1989-1. Cover design by Domenic Geissbühler
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.

Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

Members Content

Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.