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【Special Feature】 Co-creation between AI and US. Generation and Creation in Visual Expression
Is Graphic Design Dead? A concise history of AI and creation by Nao Tokui
Chapter 1 Co-Creation Praxis
Universal Everything
[Round table talk]. From the frontlines of co-creation. AI as a means of expanding creativity
What is the impact of AI on western design markets? by Geoffrey Bunting
What Happens to Value and Sentiment with Generative Illustration by gnck
Inscript: An Online Festival of Technology and Typography
Jody Hudson – Powell, Pentagram: Dealing with AI in Creative Direction
Chapter 2 Technology Today
Enlarging Neural Networks and Everyone’s Enthusiasm by Ryo Shimizu
Remembering of Harold Cohen by Kazushi Mukaiyama
Tasuku Mizunoa: Designing Social Implementation for Generative
AI & Considering Copyright
Kyosuke Higuchi: The Ghost in the Machine
Design Eccentric From the World Collectors’ Room vol. 4 The Design Reviewed Archive, part 4 The Poster Designs of Karl Oskar Blase

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Idea 404, 2024-1
Idea 404, 2024-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.