【Special Feature】 Co-creation between AI and US. Generation and Creation in Visual Expression
Is Graphic Design Dead? A concise history of AI and creation by Nao Tokui
Chapter 1 Co-Creation Praxis
Universal Everything
[Round table talk]. From the frontlines of co-creation. AI as a means of expanding creativity
What is the impact of AI on western design markets? by Geoffrey Bunting
What Happens to Value and Sentiment with Generative Illustration by gnck
Inscript: An Online Festival of Technology and Typography
Jody Hudson – Powell, Pentagram: Dealing with AI in Creative Direction
Chapter 2 Technology Today
Enlarging Neural Networks and Everyone’s Enthusiasm by Ryo Shimizu
Remembering of Harold Cohen by Kazushi Mukaiyama
Tasuku Mizunoa: Designing Social Implementation for Generative
AI & Considering Copyright
Kyosuke Higuchi: The Ghost in the Machine
Design Eccentric From the World Collectors’ Room vol. 4 The Design Reviewed Archive, part 4 The Poster Designs of Karl Oskar Blase


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Idea 404, 2024-1
Idea 404, 2024-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.