Max Bill studied at the Kunstgewerbeschule in Zurich from 1924 until 1927. He visited Paris in 1925 and was inspired by the work of Le Corbusier, Josef Hoffmann and Friedrich Kiesler. After attending a lecture by Le Corbusier in Zurich he decided to study architecture. He studied at the Bauhaus in Dessau, from 1927 until 1929. Then moved to Zurich and worked in typography, graphic design, painting, sculpture and architecture. He was also a teacher at Kunstgewerbeschule in Zurich, a guest lecturer at the Technische Hochschule in Darmstadt and worked at Hochschule für Gestaltung, Ulm.
Max Bill studied at the Kunstgewerbeschule in Zurich from 1924 until 1927. He visited Paris in 1925 and was inspired by the work of Le Corbusier, Josef Hoffmann and Friedrich Kiesler. After attending a lecture by Le Corbusier in Zurich he decided to study architecture. He studied at the Bauhaus in Dessau, from 1927 until 1929. Then moved to Zurich and worked in typography, graphic design, painting, sculpture and architecture. He was also a teacher at Kunstgewerbeschule in Zurich, a guest lecturer at the Technische Hochschule in Darmstadt and worked at Hochschule für Gestaltung, Ulm.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg
