OASE 23, 1989

Information

Content includes:
Redactioneel
Stad en netwerk. Verschijning en verdwijning van de stedelijke ruimte by Harm Tilman
Het centrumloze labyrint. Gerrit Rietveld en de stedebouw by Jan de Heer
Sign-O-Times A World Fair for Amsterdam in 1992 by Pieter Van Wesemael
De vervangbare voorstelling. Het veranderende beeld van de Kop van Zuid by Erik Pasveer
Metro-beelden by Henri Pierre Jeudy

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OASE 23, 1989. Design by Mirjam van den Haspel
OASE 23, 1989. Design by Mirjam van den Haspel
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From the design archive:
From the design archive:
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More graphic design history articles

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.