Publimondial 9, 1947

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Content includes:
Can Home Advertising suit the Export Trade? by Maurice Guigoz
Jack Roberts and the Propaganda for France in Great Britain by Paul Baratle
Jean Colin, French artist. by Picart-Le-Doux
Luxury, a French Ambassador. by B. C.
The graphic Art at the Salon des Artistes Décorateurs by B. C.
Commercial Art and Fine Art by Paul Smith
Humoristic Advertising by Paul Smith
Exhibition Stands must be “Publicity minded” by R.-L. Dupuy
The stands at the Bale Exhibition, Swiss poster at Bale Exhibition by W. Haymann
Record Business Boom, Pierre and Vera Székely., The Name P. K. Z. by Ernst Lehner
United Nations Poster Awards by E.-L.
An original form of Art., A new proceeding : Le Phototrait, Holiday and Travel. Window Display ,Advertising for dentifrice by O. v. T.

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Publimondial 9, 1947. Cover design by Paul Ternat
Publimondial 9, 1947. Cover design by Paul Ternat
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.

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The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.