The Modern American Poster, Museum Of Modern Art, 1983

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The Modern American Poster, Museum Of Modern Art, 1983
The Modern American Poster, Museum Of Modern Art, 1983

 

The Modern American Poster, Museum Of Modern Art, 1983
The Modern American Poster, Museum Of Modern Art, 1983

 

The Modern American Poster, Museum Of Modern Art, 1983
The Modern American Poster, Museum Of Modern Art, 1983

 

The Modern American Poster, Museum Of Modern Art, 1983
The Modern American Poster, Museum Of Modern Art, 1983

 

The Modern American Poster, Museum Of Modern Art, 1983
The Modern American Poster, Museum Of Modern Art, 1983
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Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.