Emil Ruder

Typographische Monatsblätter, 05, 1961

Information

Content includes:
Neues in Kürze, neue Maschinen und Geräte
A. Wälti, Winterthur: Die Bewertung der persönlichen Leistung
G. Montandon, Saint-Aubin : Une maladie inguérissable : la papyromanie
Graphibref Satz, la composition
Kurt Ganahl, Basel: Die Consecutio temporum (Zeitenfolge)
Monomatic – eine neue Einzelbuchstaben Setz- und -Gießmaschine der Lanston Monotype Company
Frage 139 an die Technische Kommission des Schweizerischen Maschinensetzerverbandes
Fritz Gottschalk, London: Straßen- und Häuserbeschriftungen in London
G. Edelmann, Lausanne : Qu’est-ce que le prétramage?
Fernand Chuard, Genève : Rien de nouveau sous le soleil
Emile Enderli, Lausanne : L’éjecteur universel
Jean-Pierre Defago, Genève : …de quelques travaux réservés à la Monotype
Druck, l’impression
Herbert Blum, Zürich: Lehrlingsausbildung auf neuen Wegen
Exposition d’esthétique industrielle à Genève

Details

Emil Ruder apprenticed as a compositor in Zurich from 1929 to 1933 and later studied in Paris in 1938. He attended the School of Arts and Crafts in Zurich from 1941 to 1942, focusing on lettering and book design under Walter Kaech. From 1942, Ruder has taught typography at the School of Arts and Crafts in Basel, becoming head of the arts and crafts section in 1947. He has received numerous awards for his work, including prizes for the best books of the year and best posters of the year.

Linked Information

Typografische Monatsblätter, 05, 1961. Cover design by Emil Ruder
Typografische Monatsblätter, 05, 1961. Cover design by Emil Ruder
Emil Ruder apprenticed as a compositor in Zurich from 1929 to 1933 and later studied in Paris in 1938. He attended the School of Arts and Crafts in Zurich from 1941 to 1942, focusing on lettering and book design under Walter Kaech. From 1942, Ruder has taught typography at the School of Arts and Crafts in Basel, becoming head of the arts and crafts section in 1947. He has received numerous awards for his work, including prizes for the best books of the year and best posters of the year.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

Members Content

Kiyoshi Awazu (粟津) was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. His unique style was commissioned by theatre groups, design and architecture magazines and various organisations for the covers of book covers and posters.

Members Content

This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.