Content includes:
André Gürtler, Basel: Schrifttafel Bilderschrift eines Alaska-Eskimos aus dem Jahre 1901
Gregory Vines, Basel: Zur Gestaltung der TM-Umschläge 1978
Ecole Nationale Supérieure des Arts Décoratifs Peter Keller und Freimut Steiger Kurs für typografische Gestaltung Ensad
Horst Schölhorn, Frankfurt am Main: Fotosetzmaschinen der 4. Generation, Die ‹ Lasercomp › von Monotype – Satz mit dem Laserstrahl
Roger Chatelain, Itinéraires sémiologiques
Marcel Probst : Photocomposition et formules mathématiques
La Rapida SR 0/4 de Koenig & Bauer
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography. Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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Design Archive Feature, Illustration, Members Only Content, Regional Histories
As part of my ongoing series documenting publicity design in the tourism industry, here is my third piece. This time, I am showcasing my collected work of Eric Lancaster, a highly skilled graphic artist whose designs played a vital role in shaping the visual identity of mid-20th-century French tourism.
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Design Archive Feature, Members Only Content
Notes on transit and network map design, including the iconic London Underground map by Harry Beck, the importance of visual clarity, and the role of accessible design in timetable design.
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