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Content includes:
André Gürtler, Basel: Schrifttafel Bilderschrift eines Alaska-Eskimos aus dem Jahre 1901
Gregory Vines, Basel: Zur Gestaltung der TM-Umschläge 1978
Ecole Nationale Supérieure des Arts Décoratifs Peter Keller und Freimut Steiger Kurs für typografische Gestaltung Ensad
Horst Schölhorn, Frankfurt am Main: Fotosetzmaschinen der 4. Generation, Die ‹ Lasercomp › von Monotype – Satz mit dem Laserstrahl
Roger Chatelain, Itinéraires sémiologiques
Marcel Probst : Photocomposition et formules mathématiques
La Rapida SR 0/4 de Koenig & Bauer

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Typografische Monatsblätter, 05, 1978. Cover design by Gregory Vines
Typografische Monatsblätter, 05, 1978. Cover design by Gregory Vines
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.