Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Visible Language, Vol 10, 03, Summer 1976

Information

Content includes:
Poetry as a Means for the Structuring of a Social Environment by Eugen Gomringer
“Correspondences” by Jane Greengold, Chris Tanz
Declaration of Independence Kit by Stephen G. Perrin
Statements 76 by Jack Weiss
An “Ikon of the Soul”: The Byzantine Letter by A.R. Littlewood
Models for Predicting How Adults Pronounce Vowel Digraph Spellings in Unfamiliar Words by Richard L. Venezky, D. D. Johnson
One Hundred Essential Sight Words by Wayne Otto, Cathy Stallard

Details

  • Format: Magazine
  • Year: 1976
  • Size: 154mm x 233mm

Linked Information

Visible Language, Vol 10, 03, Summer 1976
Visible Language, Vol 10, 03, Summer 1976
More graphic design artefacts
Design, Council of Industrial Design, 100, April 1957. Cover design by Peter Hatch
From the design archive:

Design, Council of Industrial Design, 100, April 1957

  • Format: Magazine
  • Designer/s: Peter Hatch
  • Year: 1957
View Artefact
Gebrauchsgraphik, 7, 1957
From the design archive:

Gebrauchsgraphik, 07, 1957

  • Format: Magazine
  • Year: 1957
View Artefact
Poetry and Thought -Volume 1, Issue 1, 1972. Cover design by Kiyoshi Awazu
From the design archive:

Poetry and Thought -Volume 1, Issue 1, 1972

  • Format: Magazine
  • Designer/s: Kiyoshi Awazu
  • Year: 1972
View Artefact
France Cote D'Azur - Corsica French Railways, 1960 designed by Guy Georget
From the design archive:

France Cote D’Azur – Corsica French Railways, 1960

  • Format: Leaflet
  • Designer/s: Guy Georget
  • Year: 1960
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

RAT, June 26 - July 10, 1970
  • Design Archive Feature, Members Only Content

1960s Counter-Culture Publications: Voices of Change, Rebellion, and Liberation

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
Read Article

Members Content

2000 PX
  • Design Archive Feature, Members Only Content

The 1920s design work of Joseph Binder

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
Read Article

Members Content

Typografia, ročník 61, 01. Cover design by Oldřich Hlavsa.
  • Design Archive Feature, Members Only Content

Oldřich Hlavsa and his design for Typografia magazine

Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
Read Article
Leeds Beckett University students utilising the design archive
  • Workshops and Lectures

Inspiring students from Leeds Beckett University

Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
Read Article