Typomundus 20: A project of The International Center for Typographic Arts (ICTA)

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Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
Typomundus 20: A project of The International Center for Typographic Arts (ICTA)
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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.