Gebrauchsgraphik, 07, 1950

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Content includes:
Erik Stockmarr: Thor Bogelund, Kopenhagen. A Pioneer of Danish Poster Art
E. Hölscher: »Südgraphik«, München
Anton Sailer: »Aesop«, Woodcuts by Gerhard Marcks
A Village Advertises Itself
E. Hölscher: • The Best German Posters of 1949
E. Hölscher: Munich Fairs
Franziska Meister: Chinese Notepaper
»Constructa«; Results of a Poster Competition
Thomaz de Melo: Alberto Cardoso, Lisbon
Krefeld Advertises an Exhibition
More Cases of Plagiarism
E. Hölscher: Young Graphic Artists Introduce Themselves
Mitteilungen de Bundes Deutscher Gebrauchsgraphiker

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Gebrauchsgraphik, 7, 1950
Gebrauchsgraphik, 7, 1950
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The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.

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Ryuichi Yamashiro (山城隆)  was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.  

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.