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Content includes:
Franz Hermann Wills: Die werbende Landkarte Propagandistic Map
Eberhard Hölscher: Emil Preetorius
Alexandre Alexandre: Interessante Geräte zur moderne Auslagengestaltung
»Les Mobiles de l’Amour« Interesting Equipment for a Modern Display of Goods
Eberhard Hölscher: Alfred Lutz
Anton Sailer: Ugo Blättler
Wolfgang Reisewitz. Lichtbilder
Eberhard Hölscher: Oskar Kokoschka, Posters and Illustrations
Mitteilungen de Bundes Deutscher Gebrauchsgraphiker

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Gebrauchsgraphik, 9, 1950. Cover design by Michael Engelmann
Gebrauchsgraphik, 9, 1950. Cover design by Michael Engelmann
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.