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Content includes:
Eberhard Hölscher – American Record-Cases
Eberhard Hölscher – BV-ARAL, Ltd.
Ergebnisse eines Plakat-Wettbewerbes
Jean Cocteau – Le Palais-Royal
Drawings by Veronique Filozof
Hans Kuh – Gustav Niels Dorén Graphic Advertising Art
Alf Kayser- The Window-Displays of Simpson, Piccadilly
Liselotte Hansmann – The Joys of the Paper Theater. Cut-Outs for Children’s Theaters
Eberhard Hölscher – The Alsterdamm Art School, Hamburg
«Folio Medium Extended» a type of the typefoundry Bauer’sche Gießerei, Frankfort-on-Main

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Gebrauchsgraphik, 6, 1960
Gebrauchsgraphik, 6, 1960
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.