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Content includes:
Alexandre Alexandre – Artistic playing cards in the service of advertising and elegance
Eberhard Hölscher – New German record-cases
Erich Pfeiffer-Belli – The best Swiss posters of 1957
Remigius Netzer – Wood-cuts by Walter Habdank
Eberhard Hölscher – The advertising media of the KSB-AMAG chain
Alexandre Alexandre – Old tobacco packages
Horst Rebay – »Imprenta AS«, a team in Uruguay
Alexandre Alexandre – Laurent de Brunhoff, the new poet of satirical cartoons
Eberhard Hölscher – The Typo Counter, a valuable new invention for estimates of composition
»Charme«, a type of the type foundry Ludwig & Mayer, Frankfort-on-Main

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Gebrauchsgraphik, 5, 1958. Cover design by Pino Tovaglia
Gebrauchsgraphik, 5, 1958. Cover design by Pino Tovaglia
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
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Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

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Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.