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Content includes:
Die Werbung des Hauses Asbach • New Publicity for Haus Asbach; Hans Bohn; Fran- ziska Bilek; Vom Wesen der Farbenphotographie: Meinun- gen und Tatsachen • [On the Nature of Colour Photography: Opinions and Facts]
Selected artists: Hermann Ahrens, Franziska Bilek, Hans Bohn, Erberto Car- boni, Nicolaus Heideloff

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Gebrauchsgraphik, 04, 1941
Gebrauchsgraphik, 04, 1941. Cover design by Hans Bohn
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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

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Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.