Content includes:
Die Werbung des Hauses Asbach • New Publicity for Haus Asbach; Hans Bohn; Fran- ziska Bilek; Vom Wesen der Farbenphotographie: Meinun- gen und Tatsachen • [On the Nature of Colour Photography: Opinions and Facts]
Selected artists: Hermann Ahrens, Franziska Bilek, Hans Bohn, Erberto Car- boni, Nicolaus Heideloff
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives
The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
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Design Archive Feature, Illustration, Members Only Content
Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
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