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Content includes:
Alexandre Alexandre – AIR FRANCE Posters by Georges Mathieu
Ludwig Ebenhöh – Swiss Pharmaceutical Advertising
Günter Pfeiffer – Lettered Graphics by Friedrich Poppl
J.J. de Lucio-Meyer – Allied Industrial Design, London
Hans Kuh – Fashion Graphics by Martine van Bladel, Holland
Eberhard Hölscher – Brochures…Brochures! Results of a competition of the Werbefachverband, Berlin
Alexandre Alexandre – Calendar of the French Post
Sigwart Blum – Guillermo Gonzáles Ruiz, Buenos Aires. Posters and Trade-Marks

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Gebrauchsgraphik, 1, 1968. Cover Design by André Chante
Gebrauchsgraphik, 1, 1968. Cover Design by André Chante
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.

Members Content

Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.

Members Content

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.