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Content includes:
Lucienne R. Alexandre – The Advertising of Charles Jourdan, Ladies′ Shoese from Paris
Ludwig Ebenhöh – Holger Matthies, a Graphic Designar from Hambourg
Eberhard Hölscher – The Berliner Handpresse Wolfgang Jörg / Erich Schönig
Franz Hermann Willis – Giulio Cittato, Advertising Art from Chicago
Michael Anders – Water and Stones Photos by Max Mathys
Theodor Hilten – Advertising in Black and White Harris Intertype GmbH, Berlin
Hans Kuh – «The Epicurean» An Australian Periodical
Karl Heussner – 100Figures Show the Way A Newspaper Prospectus
Jan Berger – Beer-Advertising, Suggestions by Jürgen Köhlert

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Gebrauchsgraphik, 7, 1968. Cover Design by Helmut Langer
Gebrauchsgraphik, 7, 1968. Cover Design by Helmut Langer
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency