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Content includes:
Alexandre Alexandre – Charles Matton and Gabriel Pascalini, Two Rivals
Klaus Stolte – The New Image of \”Austrian Airlines\”
Walter Leonhard – The Alphabetic Man, Figural Alphabets of the 19th century
Raimondo Hrabak – Franco Grignani, Milan, and his Characteristic Graphic Style,
Alexandre Alexandre – The Album SCARAB and Salvador Dalì
Maria Martini – Locked Up, Documentary Photos by Wolfgang Taube and Rena Trurnit
Hans Kuh – History of the Poster
Tibor Szántó – Hungarian Export Advertising, A Calendar by Árpád Bognar
Jan Berger – Graphic Design and the Drawing Carton – SCHOELLERSHAMMER, a Manufacturer of Fine Papers Presents his New Signet

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Gebrauchsgraphik, 2, 1972. Cover design by Victor Vasarely
Gebrauchsgraphik, 2, 1972. Cover design by Victor Vasarely
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.