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Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
Tokyo Olympics 1964 Matchboxes. Designed by Yusaku Kamekura
More graphic design artefacts
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From the design archive:
From the design archive:
From the design archive:
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Members Content

The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.