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Content includes:
Alexandre Alexandre – Roman Cieslewicz, a Polish Graphic Designer in Paris
Has Kuh – Ice on Glass, Charles Wilp advertises Afri-Cola
Walter Plata – Femina, a Swedish Ladies\’ Journal and its Illustrators
Theodor Hilten – Poster Contest of the Film Promotion Agency, Berlin
Armin Eichholz – No Paper Tiger: the Hanser Book Series, Cover Designs by Heinz Edelmann
Christa Pieske – Cartouches for Old Nautical Maps Dutch Graphics from the 17th Century
Sgiwart Blum – Alberto Di Mauro, an Argentinian Designer in Spain
J.J. de Lucio-Meyer – British Poster Design Awards 1969

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Gebrauchsgraphik, 8, 1969. Cover design by Roman Cieslewicz
Gebrauchsgraphik, 8, 1969. Cover design by Roman Cieslewicz
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.