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Content includes:
Alexandre Alexandre – Gervasio Gallardo A Master of Free and Applied Art
Jan Berger – Cover Designs for the Printed Menus of the Deutsche Lufthansa AG
Theodor Hilten – Peter Watzl’s Special Types from Vienna
Hans Peter Held – The Freedom of the Designer Exhibitions Designed for the Dow Chemical Europe S. A.
Hans Kuh – Iris vom Hof. Graphic Design in Public Relations
Franz Hermann Wills – The Human Image and the Sign
Sigwart Blum – Contemporary Advertising Art from Brazil. On the work of the Agency Carlos Duailibi,Pierre Rousselet Propaganda S. A.
Jacques Paul Dauriac – The Tapestries from the Center of Arts in Crafts of Ramses Wissa Wassef in Harrania

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Novum Gebrauchsgraphik, 12, 1973
Novum Gebrauchsgraphik, 12, 1973. Designed by André Chante
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

Members Content

The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.