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Graphic Design History from Design Reviewed

Graphic Design 35, 1969

Information

Content includes:
Japanese pattern, Fugetsu by Kiyoshi Awazu
20th Century Master Series 2 Masaru Katsumi, Abram Games
Crosby | Fletcher | Forbes by Kazumasa Nagai
The whole picture of Gerard Ifer Masaru Katsumi, a typical Swiss school

Caricatureist Makoto Wada by Jinichi Uekusa
Masayoshi Nakajo’s recent work by Toshi Ejima
Tokyo Art Directors Club Award Winning Work ’69 by Masataka Ogawa
Technological development of Techne Map Research Institute

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

  • Format: Magazine
  • Designer/s: Makoto Wada
  • Year: 1969
  • Client/Publisher: Diamond publishing
  • Size: 260mm x 300mm

Linked Information

Graphic Design 35, 1969. Cover design by Makoto Wada
Graphic Design 35, 1969. Cover design by Makoto Wada
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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Idea 36, 1959. Cover design by Hardie Siekman.
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Idea 036, 1959

  • Format: Magaine
  • Designer/s: Hardie Siekman
  • Year: 1959
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Typographica, New Series 6, 1962. Designed by Herbert Spencer
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Typographica, New Series 06, 1962

  • Format: Magazine
  • Designer/s: Herbert Spencer
  • Year: 1962
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Gebrauchsgraphik, 4, 1970
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Gebrauchsgraphik, 4, 1970

  • Format: Magazine
  • Year: 1970
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Art and Industry 314, August 1952
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Art and Industry 314, August 1952

  • Format: Magazine
  • Year: 1952
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More graphic design history articles
Publicity for Higher Education in the USA by J. J. De Lucio-Meyer
  • Design Outlook

Publicity for Higher Education in the USA by J. J. De Lucio-Meyer

The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

Members Content

FIP München 1966. The client supplied several motifs. The solution shown was meant to be poster-like and also resemble an old engraving. Unpublished, 1965. Karl Oskar Blase scanned from Novum Gebrauchsgraphik 08, 1982
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Karl Oskar Blase and his Stamp Designs for Deutsche Bundespost

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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Gebrauchsgraphik, 11, 1958. Cover design by Günther Gluckert
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The Magic and Work of Günther Glückert

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
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The Advertising and Design of Omnibus – The University of Braunschweig’s 1960s Publication

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.