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Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Charles Goslin

Contents include:
Charles Goslin Graphic Design
Bob Pepper
The 27 Chicago Designers
Abe Gurvin
The Czech film posters of recent years by Jan Rajlich
Lorraine Fox
The Postage stamp in the Netherlands by Shigeru Watano
Super realism – new wave after pop art
’73 Mainichi design awards
“Design & Social Change,” by Frank Gianninoto
Richard Saul Wurman & GEEI group
Posters on the street

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Idea 124, 1974-5. Cover design by Charles Goslin
Idea 124, 1974-5. Cover design by Charles Goslin


Idea 124, 1974-5
Idea 124, 1974-5

 

Idea 124, 1974-5
Idea 124, 1974-5
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.