Information

Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Printers: Mitsumura Printing Co., Ltd.
Printers: Nishiki Printing Co., Ltd.
Printers: Dainippon Printing Co., Ltd.
Cover illustration: Elwood H. Smith

Content includes:
Elwood H. Smith’s Comics by Seymour Chwast
On Picture Books by Margriet and Annemie Heymans by Shigeru Watano
Illustration by Hiroko by Jerry Demoney
A Japanese American Designer full of vitaliry, Susumu Harada by Howard York, Arthur S. Congdon
Shigeo Fukuda’s space design by Kiyoshi Seike
Yoshio Hayashi and His Simbol Marks [sic] by Yoshiaki Yujobo
Lighting Design Exhibition by Kazumasa Nagai
Kohei Miura’s Logo and Mark by Tadasu Fukano
Collage by Dennis J. O’Donnell
Homage to the Palette
’80 Graduation Works of Graphic Design Students
Designers and House-organs
The 40th Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 161, 1980-7. Cover design by Elwood H. Smith
Idea 161, 1980-7. Cover design by Elwood H. Smith
More graphic design artefacts
From the design archive:
From the design archive:
More graphic design history articles
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

Members Content

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.