Information

Cover Illustration: Don Weller
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Feature 1: Works of Don Weller by Takenobu Igarashi, Don Weller
X Biennale of Graphic Design Brno ’82 by PhDr. Jiří H ušička
De Stijl: 1917-1931 by Pieter Brattinga and Shigeru Watano
The New Illustration by Shinichiro Tora
Feature 2: The Old American Packages by May Bender, Takeo Yao, Shinichiro Tora
Paul Peter Piech, the painter of modern life by Jozef Gross
Tokiyoshi Tsubouchi’s Works by Ikko Tanaka

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Linked Information

Idea 177, 1982-3. Cover design by Don Weller
Idea 177, 1982-3. Cover design by Don Weller
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.