Information

Cover Illustration: James McMullan
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Feature 1: Revealing Illustrations, The Art of James McMullan by James McMullan, Shinichiro Tora
Czechoslovak Exhibitions by Jan Rajlich
Feature 2: Canadian Posters by Raymond Vezina, Ph. D.
Marie Claire magazine by Shigeru Watano
Feature 3: Art Directors Club’s 1982 “Hall of Fame” Award, Richard Avedon, Amil Gargano, Jerome Snyder, Massimo Vignelli. by Shinichiro Tora, Henry Wolf
Broadcast Designers’ Association: Fourth Annual Design Competition by Hideyuki Kaneko
Graphic Design Dept. at Newcastle upon Tyne Polytechnic by D. W. S. Gray
N. Y. Illustration Express by Yoshihisa Ishihara
The Fourth Yomiuri International Cartoon Contest by Akiko Hyuga

Details

Linked Information

Idea 178, 1983-5. Cover design by James McMullan
Idea 178, 1983-5. Cover design by James McMullan
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

Members Content

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.