Information

Cover Design: Gene Hoffman
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Woody Pirtle and His Posters by Kazuhiro Hayase
John Running, Photographer’s Statement by John Running
Special Feature: The 5th NAAC (Nippon Advertising Arts Council) Exhibition by Shinichi Segi, Shin Matsunaga, Michiaki Tamura, Yoshihiro Monjushiro
Science Fiction: Illustration Exhibition by Shinichiro Tora
“Two-in-One Show” in New York: Illustrator Tanabe & Photographer Ohashi by Shinichiro Tora
Society of Illustrators 1984 Hall of Fame Awards and Hamilton King Award by Shinichiro Tora
Victor Levie: Creating Sociopolitic Posters by Shigeru Watano
AGI ’84 Toscana by Takenobu Igarashi
Design New Wave ’84 Japan by Kazumasa Nagai
English Posters with an Arabic Theme by George Sorley Whittet
Poster by Josef Flejšar by Emil Minář, Josef Flejšar
Initials + Decorative Aplphabets: new book by novum press
Gene Hoffman’s Assemblage by Akiko Hyuga
Takenobu Igarashi: Works for the Museum of Modern Art Ruth P. Stevens, Yoshihisa Ishihara
Visual Circus Lesson 5 by Shigeo Fukuda

Details

Linked Information

Idea 188, 1985-1. Cover design by Gene Hoffman
Idea 188, 1985-1. Cover design by Gene Hoffman
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

Members Content

Collected examples of the Royal Society for the Prevention of Accidents (RoSPA) Cycling Safety and Proficiency design output, a landmark initiative aimed at enhancing cycling safety.

Members Content

Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers