Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Idea 188, 1985-1

Information

Cover Design: Gene Hoffman
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Woody Pirtle and His Posters by Kazuhiro Hayase
John Running, Photographer’s Statement by John Running
Special Feature: The 5th NAAC (Nippon Advertising Arts Council) Exhibition by Shinichi Segi, Shin Matsunaga, Michiaki Tamura, Yoshihiro Monjushiro
Science Fiction: Illustration Exhibition by Shinichiro Tora
“Two-in-One Show” in New York: Illustrator Tanabe & Photographer Ohashi by Shinichiro Tora
Society of Illustrators 1984 Hall of Fame Awards and Hamilton King Award by Shinichiro Tora
Victor Levie: Creating Sociopolitic Posters by Shigeru Watano
AGI ’84 Toscana by Takenobu Igarashi
Design New Wave ’84 Japan by Kazumasa Nagai
English Posters with an Arabic Theme by George Sorley Whittet
Poster by Josef Flejšar by Emil Minář, Josef Flejšar
Initials + Decorative Aplphabets: new book by novum press
Gene Hoffman’s Assemblage by Akiko Hyuga
Takenobu Igarashi: Works for the Museum of Modern Art Ruth P. Stevens, Yoshihisa Ishihara
Visual Circus Lesson 5 by Shigeo Fukuda

Details

  • Format: Magazine
  • Designer/s: Gene Hoffman
  • Year: 1985
  • Client/Publisher: Seibundo Shinkosha Publishing Co

Linked Information

Idea 188, 1985-1. Cover design by Gene Hoffman
Idea 188, 1985-1. Cover design by Gene Hoffman
More graphic design artefacts
The Journal of Decorative and Propaganda Arts 07, Illustrated Book Theme Issue, Winter 1988
From the design archive:

The Journal of Decorative and Propaganda Arts 07, Illustrated Book Theme Issue, Winter 1988

  • Format: Magazine
  • Year: 1988
View Artefact
Fact, Volume One, Issue Four, 1964. Designed by Herb Lubalin
From the design archive:

Fact, Volume One, Issue Four, 1964

  • Format: Magazine
  • Designer/s: Herb Lubalin (Art Director)
  • Year: 1964
View Artefact
Modes of Criticism 4 – Radical Pedagogy, Onomatopee, 2019
From the design archive:

Modes of Criticism 4 – Radical Pedagogy, Onomatopee, 2019

  • Format: Magazine
  • Designer/s: Francisco Laranjo
  • Year: 2019
View Artefact
Graphik – Werbung + Formgebung, 5, 1950
From the design archive:

Graphik – Werbung + Formgebung, 5, 1950

  • Format: Magazine
  • Year: 1950
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Design Coordination and Corporate Image, Studio Vista, 1967. KLM - Henrion
  • Design Archive Feature, Members Only Content

A Brand Evolution for KLM by Henrion Design Associates

KLM's brand evolution by Henrion Design Associates. Founded in 1919, KLM is the world's oldest operating airline. In 1961, Henrion Design Associates redesigned the iconic brand, overcoming challenges of standardisation and outdated aesthetics.

Members Content

Andy Warhol’s Commercial Art for Interiors Magazine
  • Design Archive Feature, Members Only Content

Andy Warhol’s Commercial Art for Interiors Magazine

Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
The Complete Film Posters of Hans Hillmann
  • Design Books

Moving Pictures – The complete film posters of Hans Hillmann

This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.

Members Content

RAT, June 26 - July 10, 1970
  • Design Archive Feature, Members Only Content

1960s Counter-Culture Publications: Voices of Change, Rebellion, and Liberation

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.