Information

Cover Design: Bright & Associates
Editor in chief: Yoshihisa Ishihara
Editorial Director: Hisao Matsumoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Jan Lenica: Posters from JAGDA Show by Jan Lenica
American’s Greatest Women Illustration 1850-1950 by Carol Wald, Shinichiro Tora
The 1985 PDC Gold Award Competition by John S. Blyth, Charles Biondo, Shinichiro Tora, Takeo Yao
Michael Schwab: Its Light & Shade by Michael Schwab
Bright & Associates by Larry Klein
Presidential Design Award to AIGA/DOT Symbol Signs by Thomas H. Geismar, Imatake
Typography of Jan van Toorn by Shigeru Watano
Highest Quality with Understated Elegance – Graphic Design Services, The Morgan Bank by Imatake
Works of Mr. & Mrs. Kawalerowicz by Akiko Hyuga
Visual Circus Lesson 8 by Shigeo Fukuda
Dennis DiVincenzo: A Maker of Intelligent Beauty by Charles Goslin
Men – Those who Observe a Festival: Pictures of Yamaboko Floasts of Gion Festival Illustrated by Tomokazu Nishiwaki by Mutsuo Takahashi
Icograda Nice 85: Theme is Graphic Design in Everyday Life by Yusaku Kamekura, Susumu Sakane, Hiroshi Kojitani, Mitsuo Katsu
Book Review, Contemporary Designers by Imatake
Tokyo ADC Award ’85 by Hideo Mukai

Details

Linked Information

Idea 194, 1986-1. Cover design by Bright & Associates
Idea 194, 1986-1. Cover design by Bright & Associates
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers