Information

Cover Design: Toshifumi Kawahara, Kazuo Takagi
Editor in chief: Fumio Sudoh
Editorial Director: Yoshihisa Ishihara
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Special Feature: 12th Biennale of Graphic design in BRNO International Exhibition of Advertising and Poster Design by Jiri Hlusicka, Masuteru Aoba
Stasys Eidrigevicius: Illustrator in Poland, Expressionless Expression by Shigeru Watano
Considering Design as a Language, Curt Dahlén, Graphic Designer in Sweden
Atelier Nouveau in Italia by Shigeo Fukuda
The 2nd Wood Package Exhibition by Keiko Hirohashi, Kazumasa Nagai
Brilliant Talent – Emilio Ambasz, So much is expected of him in the future by Midori Imatake
Annual Exhibition of the Society of Publication Designers by Shin’ichiro Tora
Felipe Taborda: Designer & Photographer in Brazil
Munetsugu Satomi’s Works by Itsuji Yoshikawa
The micropluralism of Nadim Karam
Posters of National Cultural Festival by Shigeo Fukuda
Special Feature: Masters of Visual Poetry – the Fire and the Stillness of Creation: “Visual Pathfinders” series, Toshifumi Kawahara / O. Fischinger / N. Mclaren / C&R Eames / J. Whitney / R. Abel by Akira Asada, Itsuo Sakane
Keio Uemura’s Subliminal Perception Coloring (SPC) – A New Method in Color / Drawing by Katsumi Yutani
The 27th World’s Good Design Commodities Exhibition
Peace Poster Exhibition by Shu Kataoka, a victim of an atomic bomb by Shinichiro Tora

Details

Linked Information

Idea 202, 1987-5. Cover design by  Toshifumi Kawahara and Kazuo Takagi
Idea 202, 1987-5. Cover design by Toshifumi Kawahara and Kazuo Takagi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.