Information

Cover Design: Kiyoshi Kanai
Editor in chief: Fumio Sudoh
Editorial Director: Yoshihisa Ishihara
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Special Feature: The Grpahic Design Program at the University of Washington
Kiyoshi Kanai Incorporated by Laurance Wieder
Photographs of Liu Shou Kong, a cosmopolitan who considers the whole world his home by Shigeru Watano
Design Projects for the Seoul Asian and Olympic Games by CHO, Young-Jae, Etsuo Genda
The Spencer Francey Group Inc. Design + Marketing Communications
Special Feature: Type Directors Club 32nd Annual Exhibition by Shu Kataoka, Eita Shinohara
Overlock Howe Consulting Group, Inc. by Takeo Yao
The Works of Keith Godard by Yoshiro Nakamura
Special Feature: Television Design by R. Scott Miller
Kiyoshi Inoue by Kiyoshi Inoue
Tokyo ADC Award ’86 by Masuteru Aoba
Paul Peter Piech: Protest Graphics by JJ de Lucio-Meyer
Auschwitz Posters by FHK Henrion

Details

Linked Information

Idea 199 1986 11
Idea 199, 1986-11. Cover design by Kiyoshi Kanai
More graphic design artefacts
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.