Information

Cover Design: Shigeo Fukuda
©1987 Seibundo Shinkosha
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Paul Davis by Shigeo Fukuda
Illustrators 29th Annual Exhibition by Shin’ichiro Tora
Douglas Boyd Design and Marketing
Art for the Public, Poeters of the WPA by Chris DeNoon
Bookbinding as “Gesammtkunst” – Jiří Hadlač by Leopold Pospišil
The American Beauty Exhibition by Shin’ichiro Tora
Design a Individualistic Form – Lucille Tenazas by Gail Righelhaupt, Midori Imatake
Ikko Tanaka in New York by Lou Dorfsman
Commemorative Posters for World Design Expo ’89 by Kazumasa Nagai
Daniel Pelavin
DesignMarks Corporation – Consultants in Marketing Communication and Design
The ADC “Hall of Fame 1986” and “Art Director of the Year” by Shin’ichiro Tora
New Tendency of the Actual Italian Design – Sergio Calatroni and Luigi Searfini by Pierro Fornasetti
New York Exhibition of APA ’86 by Shin’ichiro Tora
Advertising Activities for Fujita Corporation by Katsuichi Ito and Zenji Funabashi by Katsumi Hara
Arthut Weyhe’s Large Outdoor Sculpture by Shoichiro Higuchi
The 54th Mainichi Advertising Design Award by Masuteru Aoba
Asahi Advertising Award 1986 by Makoto Nakamura
Ullrich Koch

Details

Linked Information

Idea 204, 1987-9. Cover design by Shigeo Fukuda
Idea 204, 1987-9. Cover design by Shigeo Fukuda
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.

Members Content

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

Members Content

Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.