Information

Cover Design: Alan Peckolick
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Hard Werken by Shigeru Watano
Anton Stankowski: Art or Design
Sandro Bocola by Fritz Billeter
Toiod Schorr and Kathy Staico Schorr
1987 Hall of Fame by Shin’ichiro Tora
Howard Klein
Mitsuo Katsui: Three Approaches for Small Graphics
Japanese Annual Report by Kiyoji Otsuji, Bill Kinser
Planning for Hotel Seiyo Ginza by Ryo Urano
Marks & Logos: Yusaku Kamekura, Ikko Tanaka, Kazumasa Nagai and Shigeo Fukuda by Masataka Ogawa
John Van Hamersveld
1987 PDC Gold Award Competition International Package Design by Shinichiro Tora, Takeo Yao
Sometimes, The Answer Lies in Breaking The Rules by Midori Imatake
3rd International Design Competition and International Design Award by Midori Imatake
Peter Bartczak
Series 5: Art in New York Today (1) Mark Hadjipateras – The Extruder of “Dream” (2)Jonathan Adolphe’s Weight of Passion by Shoichiro Higuchi
Rafal Olbinski
Paul Slepak by Osamu Kayaba
AIGA Second National Graphic Design Conference San Francisco, September 3-5, 1987
Overseas News, Addresses of Contributors, Domestic News, Book Review and Exhibition News

Details

Linked Information

Idea 206, 1988-1. Cover design by lan Peckolick
Idea 206, 1988-1. Cover design by lan Peckolick
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

Members Content

Interiors was an American magazine published by Whitney Publications, New York and ran from 1940. Before being relaunched as Interiors, the magazine was originally called The Upholsterer which ran from 1888 until 1940.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.