Idea 214, 1989-5

Information

Cover Design: Koichi Sato

Content includes:
The Polaroid Portfolio
Chuck Davidson Rebecca Segerstrom-Sato
Pierre Neumann Interview: Bernard Fibicher
Source/Inc. Takeo Yao
Masayoshi Nakajo Kazumasa Nagai
Works of Kijuro Yahagi – Design, Metalanguage in Formative Art Yukio Kondo
’88 Hall of Fame, Silas Rhodes, Ben Shahn, Mike Tesch, Bert Steinhauser Shinichiro Tora
Petr Otradovec and Zbynek Houska Jan Rajlich
Stuart I. Frolick
Pete Turner, Photographer Nick DeBord
Four Hong Kong Designers Exhibition
Coley Porter Bell – The Strategic Design Charlotte Borger
The Trick Shigeo Fukuda
Good Design is Good Business – Robert Jensen
Jaroslav Sura Jan Rajlich
Series 12: Art in New York Today, Boomerang Thrown by Tom Doyle Shoichiro Higuchi
The 2nd Kumamoto Design Award Takeo Yao
Kenji Kobayashi Akehiko Yamazaki
A New Current in Typography
A Proposal for New Design – Traditional Craftwork of Ogatsu Suzuri Takeo Yao

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Idea 214, 1989-5. Cover design by Koichi Sato
Idea 214, 1989-5. Cover design by Koichi Sato
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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.