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Gard Sivik was a Flemish and Dutch avant-garde magazine that was founded in 1955 on the initiative of the Flemish poets Gust Gils and Paul Snoek. The experimental magazine was named after the eponymous jazz café on the Stadswaag in Antwerp, and aimed to provide a forum for young poets ‘to promote avant-garde art

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Gard Sivik 26, May - June 1962
Gard Sivik 26, May – June 1962
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From the design archive:
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When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.