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The Bright World of Cuban Posters
Jop van Bennekom, Magazine as Designer’s Private Medium
Glass on table Alexander Gelman
Stefan Sagmeister’s latest works
Hiroshi Ohchi-Design, Education and Journalism
When Pigs Design Vol.25 by Kyoichi Tsuzuki
Typography Review vol. 3
Supervision by Jiro Katashio, Text and Design by Yoshihisa Shirai, Text by Baumann & Baumann
heiQuiti HARATA IDEA remix ver. 6.0.J [Galleria Linga Franka]
Shinro Ohtake Original Serial Poster vol. 6 [DENKAME]

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Idea 303, 2004-3. Cover illustration by Eduardo Muñoz Bachs
Idea 303, 2004-3. Cover illustration by Eduardo Muñoz Bachs
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.