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Content includes:
Special Feature: Kaoru Kasai Design Works
Lars Müller Building Books
The Works of Mitsuo Fukawa
Dutch Resource: The exhibition by Werkplaats Typografie
design mannerism(1)–diségno interno by Hiroshi Takayama
Typography Review vol.11 “Typography as a part of the Fundamental Studies”
Shinro Ohtake Original Serial Poster [2nd impact] Part 14 Side A(inside): LONDON/HONCON 1980 Side B:(outside): APOLINAIRE. H.K.

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Idea 312, 2005-9. Kaoru Kasai
Idea 312, 2005-9. Kaoru Kasai
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers