Expositions Internationales Paris 1937 – New-York 1939
llustrated lithographed wrappers designed by Andre Beaudin and produced by Mourlot freres. Graphiques dedicated to the ‘Exposition Internationale des Arts et Techniques dans la Vie Moderne’ in Paris in 1937 and the New York World’s Fair in 1939

Content includes:
The Means of Expression
Photography at the Exposition
The Pavillion of Elegance
The Rural Center
Exposition Internationale de New-York 1939 – New York World’s Fair
The Spirit of Forms and the Forms of the Spirit in 1937
Arts et Métiers Graphiques will soon make available in May “London by Night”
Jules Breton and Co. Evette Germain and Co. Successors
Hyperion Editions
Vaugirard Printery Is the Typographic Press of Arts et Métiers Graphique


Linked Information

Arts et Metiers Graphiques, 62, 1938
Arts et Metiers Graphiques, 62, 1938. Cover design by Andre Beaudin
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.