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Content includes:
Max Hunziker. Stained-Glass (Hans Kasser)
Schweppes. Eloquent Enlightened Advertising (Paul Arthur)
Emett (Eric Keown)
Renfro (Georgine Oeri)
The Manesse Manuscript (Prof. G.F. Hartlaub)
Modern Labels (Charles Rosner)
Muba. Switzerland’s Show-Window to the World (Maria Netter)
Inspirations for Printers. An American House Organ (Georgine Oeri)
Christmas and New Year’s Cards (Jean Benonie)

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Graphis 42, 1952. Cover design by Max Hunziker
Graphis 42, 1952. Cover design by Max Hunziker
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

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Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.