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Content includes:
Gargantua. Lithographs by (Herta Weschler)
Punch and English Humour (Charles Rosner)
Yusaku Kamekura (Hideo Kobayashi)
Jerome Snyder (Margaret B. Parkinson)
La Rinascente (Giovanni Bordoli)
University of California (Sherman Rifkin)
Henry Rox (Paul Arthur)
Giuseppe Archimboldo (F.C. Legrand, F. Sluys)
Polish Film and Theatre Posters (Ch. Rohonyi)
Tadeusz Trepkowski (Jan Lenica)
Pierre Caille (Eike Reuter-Brocks)

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Graphis 63, 1956. Cover design by Antoni Clavé
Graphis 63, 1956. Cover design by Antoni Clavé
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.