Information

Introduction:
This is the third issue of the INTERNATIONAL POSTER ANNUAL. The only book devoted exclusively to current poster art, it again assembles a striking collection of nearly 400 carefully selected posters-19 in full color-by 200 of the best-known artists and designers of the following 22 countries: Austria, Belgium, Czechoslovakia, Denmark, England, Finland, France, Germany, Holland, Hungary, Israel, Italy, Japan, Mexico, Norway, Peru, Poland, Portugal, Spain, Sweden, Switzerland, U.S.A.
Compiled, designed andedited by W.H. Allner, this 1951 issue of the INTERNATIONAL POSTER ANNUAL maintains the high standards of layout and production set by its predecessors. It is the most comprehensive survey of poster art throughout the world and constitutes a new, useful and stimulating reference book for artists, designers, art directors, advertising managers, art teachers, art students, printers, and everyone concerned with the visual projection of ideas.
Articles and commentaries by S. A. Grummitt, ROYAL SOCIETY FOR THE PREVENTION OF ACCIDENTS, London; Major C. W. Cousland, W. S. CRAWFORD, LTD., London; Irvin S. Taubkin, Promotion Manager, THE NEW YORK TIMES; George Krikorian, Art Director, Promotion Department, THE NEW YORK
TIMES; Paul Smith, Art Director, CALKINS & HOLDEN, CARLOCK, McCLINTON & SMITH, New York; Leo Lionni, Art Director, FORTUNE MAGAZINE, New York; Robert B. Thorpe, Promotion Manager, AMERICAN CANCER SOCIETY.
Text and captions in English, French and German.

Details

Linked Information

International Poster Annual - 1951. Designed by Walter Allner
International Poster Annual – 1951. Designed by Walter Allner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

Members Content

His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.