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Collected Graphic Design History from Design Reviewed

Graphis 92, 1960

Information

Content includes:
Charles Rosner, London: Graphic and Advertising Art in Britain
Hiromu Hara, Tokyo: Japanese Posters
Sterling McIlhany, New York: Milton Glaser
Renato Giani, Roma: La Colomba.Art in the Service of Good Cooking
Ken Baynes, Zurich: Jean Widmer
Tom Lee, New York: Gene Moore
Hans Schleger, London: World Design Conference in Tokyo 1960
Ken Baynes, Zurich: International Design Conference in Aspen 1960

Details

  • Format: Magazine
  • Designer/s: Alan Fletcher
  • Year: 1960
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 92, 1960. Cover design by Alan Fletcher.
Graphis 92, 1960. Cover design by Alan Fletcher.
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Interiors, May 1960. Cover design by Arnold Saks
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Gebrauchsgraphik, 08, 1927

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Gebrauchsgraphik, 12, 1961
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Gebrauchsgraphik, 12, 1961

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  • Year: 1961
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Publicity for Higher Education in the USA by J. J. De Lucio-Meyer
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Publicity for Higher Education in the USA by J. J. De Lucio-Meyer

The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
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Kew Gardens Poster deisgned by George Plante
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The Aims of Young Designers: George Plante, 1934

“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
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Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
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The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
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