Antonio Frasconi

Graphis 100, 1962

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Content includes:
Armin Kesser, Zürich: Global Distribution of the Sun Cultures
Armin Kesser, Zürich: Solar Symbolism among Ancient Peoples
William B. McDonald, London: Christian Sun Symbols
Prof. Dr. G. F. Hartlaub, Heidelberg: The Sun in the Sign-Launguage of Alchemy
August Kaiser, Basel: The Sun in Popular Art Customs
Réne Creux, Lausanne: At the Sign of the Sun
Prof. Dr. Karl Schütte, München: Sundial from the 13th to the 18th Century
Dr. Willy Rotzler, Zürich: The Sun in Advertising and Applied Art
Enrichette Eitter, Milano: Piero Fornasetti and His Suns
Manuel Gasser, Zürich: Antonio Frasconi: A Book of Many Suns
Henri Guillemin, Bern: The Sun in Jean Lurçat’s Work
Dr. Reinhold Hohl, Basel: The Sun in Contemporary Painting and Sculpture
Irene Rigassi, Zürich: Chid and Sun

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Graphis 100, 1962. Cover design by Antonio Frasconi
Graphis 100, 1962. Cover design by Antonio Frasconi
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.