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Content includes:
Walter Herdeg, Zürich: The World Exhibition in Montreal from a Designer’s Viewpoint
Donald F. Theall, Montreal: Expo – A Unique Art Form
Dorothy Todd Hénaut, Montreal: Environmental Aspects of Expo 67
Dorothy Todd Hénaut, Montreal: The Czechoslovak Pavilion at Expo 67
Gustave Maeder, Genéve: The Pavilion of the Province of Quebec
Margit Staber, Zürich: The United States Pavilion
Paul Arthur, Toronto: Official Graphics at Expo 67
La Ronde

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Graphis 132, 1967. Cover design by Walter Herdeg.
Graphis 132, 1967. Cover design by Walter Herdeg.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.
Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.