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Content includes:
Willy Rotzler, Zurich: Swiss Posters 1969
Steve Frankfurt, New York: Photographis ’70. International Advertising Photography
Alastair Allen, Ludlow: Cantiones. Latin Hymns from Bohemia
Max Wahren, Bern: The Baker’s Art
Stanley Mason, Zurich: Vehicle Graphics
John E. Blake, London: DRU. Design Research Unit. Twenty-five years of design for industry
Willy Rotzler, Zurich: Roger Bezombes. Imaginary Portrait Medallions
Hans Neuburg, Zurich: Atwater. Winning Wrapping-Paper Designs

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Graphis 147, 1970. Cover design by André François.
Graphis 147, 1970. Cover design by André François.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.